Centre > Travel diaries > Japan 2000 > p3: Museums and the Subway

Monday August 28

The beginning of adventure: I was going to roam around Tokyo on my own and find my way around the subway. It appeared daunting at first: many stations use nothing but Kanji for signs and ticket vendors; it is easy to get confused between the local and express, Yamamote and Tokyo Toyoko lines, train and subway. But I pride myself on my resourcefulness, and with the help of my sketchbook where I plotted the lines in English and Kanji, and of the impeccable Tokyo signage system, I was feeling at home in no time.

So it was that on that first exploration day I went to visit my cousin Carlos who had been in Japan for about a year, since he had become the CEO of Nissan. I was supposed to meet his wife Rita at Daiken-yama station not far from Shibuya, so I made a little detour to return to Takasihmaya first. The mall's basement is a huge supermarket where I wandered for an hour among the most incredible packages I had ever seen. I felt like Alice in designer wonderland! The streets of Tokyo everywhere are lined with row upon row of vending machines that offer anything from drinks to hot noodles, and I made an abundant use of them -- purely for the packages. I brought home 15 cans that had contained iced tea, flavored water or such. Tasting them was an act of bravery: there's absolutely no way for a foreigner to know what's inside them.

Vending machines heaven.

I finally made it to Daiken-yama. I say "finally", because I hadn't learned the difference between local and express yet and so found myself way beyond my station. As my journal eloquently says: "Why am I in naka-Meguro???"
Rita was waiting with my cousins Caroline, Nadine and Maya. We headed to the huge apartment and I tasted the delicious nâshi, a local fruit that tastes like something between an apple and a pear. My cousins took me shopping in Shibuya, among other things to a wonderful place: the 100 Yen Plaza!

I had dinner with them and when I took the train home it was nearly 11 at night. That in itself was ok -- Tokyo is a safe city and I felt no discomfort at being alone on the streets at night. However, I had made a mistake: I hadn't noted our apartment's address and phone number, so that in case I got lost, I could show them to someone and get guidance. And get lost I did! I came out of the deserted Ôkubô station on the wrong side and found myself in a completely unknown neighborhood. Where to go? There was a very, very long, dark alley on one side, and something told me to follow it. It took me several minutes to reach the end of it, and then I was on a main street -- better, but still unknown to me. Again I followed my intuition and walked left: if I was right I would soon see Wendy's, and know where I was. Several minutes later I did find Wendy's, to my relief, and made it safely home.

More evidence of Japan's sense of design.

Tuesday August 29

As swordsmanship fans, Anne and I had set the morning aside to go to the Japanese Sword Museum (Nippon Bijutsu Tôken Hozon Kyûkai). Getting there was no small feat. After walking in circles for a while we asked our way inside an expensive-looking pottery shop. The elderly gentleman showed enthusiastic courtesy, going so far as to make a color photocopy of a map he had for us. That map was scary-looking to me. Japan doesn't use street names, but rather chops the city into areas, themselves divided into smaller areas, etc. The smallest units are numbered, and the numbers are not necessarily next to each other. We made it nevertheless, and I was surprised to see such an important museum so discreet, almost hidden in the maze of small streets of a residential area. It is small, with just a single exhibition room, but it contains national treasures.

I never imagined so many pieces were so carefully carved to make a sword.

We then headed to Takashimaya, again! While Anne went to work (she taught English) I went to search for another museum, this time one of paper. How my quest went along is summarized in my journal: "AAARRRRGH how can the biggest paper museum in the world be so hard to find?" Indeed I took the train to one of the remotest areas of Tokyo, then went out and got lost -- if signage for the museum existed, I wasn't likely to recognize it. Not that it bothered me: I was enjoying every way in which I was coming in touch with Japanese life. Ôji -- that was the area where I had gotten off the train -- reminded me of Passamaquody in Pete's Dragon, except there was no one around for me to ask directions to. I ended up entering a fashion school to ask my way. Very few japanese speak English, even in Tokyo, and I can't blame them: when you understand how Japanese works, you realize how very complicated English must be for them. They try their very best to help, though, and I got the directions I needed. I had been walking away from it! I returned to the station and climbed a flight of stairs that zigzagged uphill between trees. I'd never have thought that was the right way, as it looked for the world as if they were heading straight into a forest. It turned out, they did, but the forest was a park at the edge of which I finally found my museum. I also had a childish moment of excitement when I found a train ticket on the stairs. It was used, of course, but I had been frustrated since the beginning of my trip by the fact it's impossible to keep train tickets -- one can't leave a station without giving them up to a machine. Now I finally had one to stick in my travel diary! The museum was entirely in Japanese, but a very detailed leaflet in English is distributed at the entrance. It almost makes the visit of the museum unnecessary! The best part was the museum shop, where some of the famous Japanese papers were on sale. They are works of art and I almost daren't use them. Here is a more in-depth article on Japanese paper and its uses.

It is when I got home and told Tacchan I had been to Ôji that I realized how far I had been. His reaction was: "Ôji?? What on earth took you all the way to Ôji?"

Flip to Page 4: The Temples of Asakusa.


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